New York Times going with the frequency-model?

I’m cautiously optimistic about this and am excited to see it play out. There is dire need for continued experimentation.

The strategy being discussed this go around is a Financial Times-like metered system (they call it the “frequency-model” – more at Portfolio). This would, theoretically, allow the New York Times to retain its reach and users driven to it via search, links, etc, while deriving revenue from heavy readers:

At an investor conference this fall, Nisenholtz alluded to this tension: “At the end of the day, if we don’t get this right, a lot of money falls out of the system.”

But with the painful declines in advertising brought on by last year’s financial crisis, the argument pushed by Keller and others — that online advertising might never grow big enough to sustain the paper’s high-cost, ambitious journalism — gained more weight. The view was that the Times needed to make the leap to some form of paid content and it needed to do it now. The trick would be to build a source of real revenue through online subscriptions while still being able to sell significant online advertising. The appeal of the metered model is that it charges high-volume readers while allowing casual browsers to sample articles for free, thus preserving some of the Times’ online reach.

Read all about it in New York Magazine’s “New York Times Ready to Charge Online Readers”.

On the China – Google row

It’s a moment that those into cyberpunk have been looking for, for a long time – when a multinational corporation whose bread and butter is in cyberspace itself confronts a nation-state. When Google posted to their blog “A New Approach To China” it was historic for many reasons: it was an *Internet company* confronting a *country* over *hacking* (try and digest that for a moment), the first most of us heard about this was from Google’s blog post, and it highlights issues of having to do with intellectual property, with free speech, and access to information.

Wow.

You can go on and on with questions, thoughts, concerns, and as usual there is a terrific Metafilter: Metafilte thread to check out.

Related:

NYTimes: Scaling the Digital Wall in China : “The Great Firewall of China is hardly impregnable.”

Bruce Sterling – “Today’s bleeding-edge technology is tomorrow’s broken legacy system.”

I started to pull together some choice quotes from Bruce Sterling, answering questions about the “State of the World 2010” at the WELL, but realized I’d be quoting far too much. You are better off reading the whole thing yourself. Enjoy.

Okay, one quote! In this he is discussing network-culture:

It’s not that print’s a medium, and the web’s a medium, and you get to migrate between media. The Web is a metamedium that turns everything it grips into network-culture.

*So it’s easy to see that mags are in for it. What’s a little harder is looking at the hollow shell of your once-favorite antique shop and realizing that’s all about eBay. “Gee, I’m on the web all the time now… time for a stroll, it’s a sunny day… Gosh, my neighborhood’s full of spooky holes.” Gothic High-Tech.

Update: Wired: Katie Hafner The Epic Saga of The Well

Two obits at NPR: one worthy, one not

NPR: In Memoriam: Sweet, Sad Rocker Vic Chesnutt

NPR: The Man Is Gone, But Long Live The Blogosphere (via Garret Vreeland). Jeff Jarvis knows blogging as well as anybody, but NPR should have talked to people who knew Brad Graham, or, as Garret suggests, were at least among his contemporaries in that first wave of blogging. He offered way more than the word ‘blogosphere’ to the history of blogging and way more to the world other than blogging. Check out this related Metafilter thread.

Well this explains why ‘Top 10’ stories are so popular

Spiegel: SPIEGEL Interview with Umberto Eco: ‘We Like Lists Because We Don’t Want to Die’:

The list is the origin of culture. It’s part of the history of art and literature. What does culture want? To make infinity comprehensible. It also wants to create order — not always, but often. And how, as a human being, does one face infinity? How does one attempt to grasp the incomprehensible? Through lists, through catalogs, through collections in museums and through encyclopedias and dictionaries. There is an allure to enumerating how many women Don Giovanni slept with: It was 2,063, at least according to Mozart’s librettist, Lorenzo da Ponte. We also have completely practical lists — the shopping list, the will, the menu — that are also cultural achievements in their own right.