Finding the old Wayne’s World trailer on YouTube was sublime.

Don’t you think the story line – new medium enables amature to reach many, the amature gets lured by money and power the big corps offer, disillusion follows, and wisdom (well that’s one of the endings) results – timely?

It both marked the end of the 80s metal subculture I grew up in, and foretold the rise in participatory media.

New York Times reviewer Janet Maslin thought the idea of “Wayne and Garth’s late-night, public-access television show, the one they do from the sofa in Wayne’s basement, is so good that a wily television executive (Rob Lowe) will scheme to exploit their commercial potential” strained the movie’s credibility.

Heh. No foresight that one.